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Libera Me From Hell Drum And Bass Shopping Deals on 18.10.2019 at TOPPIDUS

  • Libera Me From Hell (From "Gurren Lagann")


    • ASIN: B06XDHGLG9

  • Libera Me From Hell (from "Gurren Lagann")


    • ASIN: B06XDHGKZ3

  • Libera Me From Hell (from "Gurren Lagann")


    • ASIN: B06VVZ8ZD7

  • Full title: 20th Century Masters: The Millennium Collection: The Best Of Bob Marley & The Wailers.Bob Marley & The Wailers: Peter Tosh (vocals, guitar, keyboards); Bob Marley, Bunny Wailer (vocals, guitar).Additional personnel include: Tommy McCook (tenor saxophone); Aston Barrett (bass guitar); Carlton Barrett (drums).Compilation Producers: Bill Levenson; Dana Smart.Liner Note Author: David Katz.Recording information: Randy's Studio 17, Kingston, Jamaica (1967 - 1972); Dynamic Sound Studio, Kingston, Jamaica (1967 - 1972).This compilation offers a brief glimpse into the Wailers' early-to-middle years (they only became Bob Marley & the Wailers after signing to Island Records; Bunny Livingston and Peter Tosh quit soon thereafter). It combines a few of the late-1960s sides the group recorded for Texas singer Johnny Nash (whose ska-inflected "Hold Me Tight" had been a big international hit in 1967) with material recorded for the band's own Wail'n Soul'm and Tuff Gong labels, and for the visionary producer Lee "Scratch" Perry.Songs such as "Small Axe," "Kaya," and "Lively Up Yourself" are all familiar from their later incarnations, and to hear them in their unadorned earlier versions, particularly the primitive recordings of "Stir It Up" and "Soul Rebel," is to experience both their simple power and Bob Marley's faith in their ultimate mass acceptance. THE BEST OF BOB MARLEY & THE WAILERS makes clear that the band's raw talent was present from the outset, while hinting at the time and sweat involved in bringing that talent to full fruition.

    20TH CENTURY MASTERS - THE MILLENNIUM COLLECTION: BOB MARLEY & THE WAILERS (THE JAD

    • UPC: 3481594

  • Personnel: Duke Ellington (piano); Ray Nance (vocals, trumpet); Jimmy Grissom(vocals); Russell Procope (alto saxophone, clarinet); Rick Henderson (alto saxophone); Jimmy Hamilton (tenor saxophone, clarinet); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone, clarinet); Willie Cook, Clark Terry, Cat Anderson (trumpet); Britt Woodman, Quentin Jackson, Juan Tizol (trombone); Oscar Pettiford (cello); Wendell Marshall (bass); Butch Ballard (drums).Recorded live at the Pasadena Civic Auditorium, California on March 30, 1953.Includes liner notes by Stanley Dance.Capturing a March 30, 1953 gig by the Duke Ellington Orchestra at Gene Norman's legendary Crescendo nightclub in Pasadena, California, THE 1953 PASADENA CONCERT exemplifies Ellington's standard concert program of the time. Starting with two extended pieces, "The Tattooed Bride" and a sterling run through tenor Paul Gonsalves' traditional solo showcase "Diminuendo and Crescendo In Blue," the set moves through a few blues and jams, punctuated by a lengthy and frequently hysterical monologue by Ellington himself.The set then showcases gifted vocalist Jimmy Grissom on three tunes, including his signature classic "Do Nothing Till You Hear From Me," before ending with a quick medley of nine Ellington standards which clocks in at just under seven minutes. As always, Ellington's band--also featuring stalwarts Ray Nance, Cat Anderson, Juan Tizol and Harry Carney--is a model of grace and economy. Throughout the decade (and arguably the century), there was no better big band to be found in jazz.

    THE 1953 PASADENA CONCERT

    • UPC: 3458777

  • Libera Me From Hell [Drum and Bass] (Rayden Remix)

    Libera Me From Hell Drum And Bass
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    Rayden - Libera Me From Hell [Drum and Bass Cover]

    Libera Me From Hell Drum And Bass
    Drum and Bass,Guitar,Guitars,Anime Soundtrack,Anime,Tengen Toppa Gurren Lagann,Gurren L...

    [AMV] Libera Me From Hell [Drum and Bass]

    Libera Me From Hell Drum And Bass
    [AMV] Libera Me From Hell [Drum and Bass]